The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules.
BOY GEORGEExcept for Courtney Love-who reminded me of that mad snake in The Jungle Book.
More Boy George Quotes
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Whenever there’s an interview with me, I might read it, but I don’t read the comments because they’re so hateful sometimes.
BOY GEORGE -
The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn’t as big as it looked.
BOY GEORGE -
A lot of people felt I was getting work because I was Boy George. My response at the time was that there’s a lot of DJs making records, they’re not all making good records, but they have the right to do that.
BOY GEORGE -
If I ever commented on one of his outfits he would snip, “Oh, thank you, Mr. Boy George. I do value your opinion.” And then he would spin and make some ridiculous noise and mince off.
BOY GEORGE -
I think we grow into ourselves. And unfortunately we do it in the spotlight, so when we make mistakes, everybody knows about it.
BOY GEORGE -
I like the big bombastic singers, but I’m also very drawn to what I call character singers.
BOY GEORGE -
Maybe without me, there wouldn’t be Adam Lambert. Without Bowie, there wouldn’t be me. Without Quentin Crisp, there wouldn’t have been Bowie. So everything is part of a big daisy chain.
BOY GEORGE -
Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] – things that you probably shouldn’t like.
BOY GEORGE -
When Culture Club broke up, I hadn’t been going out a lot because we’d been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
BOY GEORGE -
I’m a big Bob Dylan fan, a huge David Bowie fan… none of those people have orthodox, cabaret voices. These are people where what they’re singing about is just as important as how they’re singing it.
BOY GEORGE -
The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn’t care.
BOY GEORGE -
I think people could be a bit friendlier. The only real contact you have with people is when they’re annoyed if you’ve had a party – you know, it’s been a bit too noisy for them or something.
BOY GEORGE -
I cried. I absolutely wept, because it wasn’t the usual stuff like, “Oh, he was a drug addict and he did this and that…” It was really looking at the music and it was really complimentary. It was a huge thing.
BOY GEORGE -
As a kid, I would’ve loved to get a tweet from David Bowie or Joan Rivers or Tom Cruise. It’s great that you can communicate with people and it’s instant.
BOY GEORGE -
I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
BOY GEORGE







