Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] – things that you probably shouldn’t like.
BOY GEORGEThe most political thing you can do is be yourself
More Boy George Quotes
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Maybe without me, there wouldn’t be Adam Lambert. Without Bowie, there wouldn’t be me. Without Quentin Crisp, there wouldn’t have been Bowie. So everything is part of a big daisy chain.
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I’m a big Bob Dylan fan, a huge David Bowie fan… none of those people have orthodox, cabaret voices. These are people where what they’re singing about is just as important as how they’re singing it.
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If I ever commented on one of his outfits he would snip, “Oh, thank you, Mr. Boy George. I do value your opinion.” And then he would spin and make some ridiculous noise and mince off.
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When you’re younger, you think you’re in competition with everyone. You think everyone’s success is a threat to you, and this is a thing you grow out of.
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I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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Everyone loved the music but nobody liked the name. I -remember getting a postcard from Jon from L.A. saying, “I don’t think America’s ready for the Sex Gang Children.”
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What’s really sad is that a lot of very talented people are being forced to do things that are very embarrassing and I don’t intend to be one of them.
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You get the odd person [in social media] that will write something nasty and the trick is not to engage with them on any level.
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I am what I am. There’s nothing I can do about it.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn’t just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
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Part of me looks at the gay movement now and worries that we’re losing our individuality.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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When I go onstage, I’m going to work …I feel like my performance is about an emotional connection. I want to connect with people, whether it’s like a romantic song or a happy song.
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You find out so many interesting things when you’re not on drugs.
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I cried. I absolutely wept, because it wasn’t the usual stuff like, “Oh, he was a drug addict and he did this and that…” It was really looking at the music and it was really complimentary. It was a huge thing.
BOY GEORGE