The generation I grew up in was the beginning of “stand up for yourself,” whether being a singer-songwriter or a feminist. In my college years, the feminist movement was really coming to fore, so we wouldn’t have put up with guys treating us less than equal.
BONNIE RAITTI grew up in Los Angeles in a Quaker family, and for me being Quaker was a political calling rather than a religious one.
More Bonnie Raitt Quotes
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Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.
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My love was Bob Dylan, but as I got older I realized a good ballad was a good ballad.
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I learned by experience that you can change your circumstance. It’s as simple as the serenity prayer; it’s a very, very real thing.
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My parents would drag me out to perform for my family, like all parents do, but it was a hobby – nothing more.
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My career is based on the slow build of an audience based on putting on a good show live and putting out a record every couple of years.
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It is still a surprise when people tell me that I’ve had an influence on them, particularly when it’s someone I really respect.
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Those of us who grew up in the ’50s and ’60s, we had the dream that this could be turned around, and the earth could be back in balance, and that we could level the playing field with men and women and pay, and you know, minority groups having equal opportunity.
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I think that we have a unique opportunity as performers and artists to be kind of the town criers and also to get more people to listen, so that’s a blessing and a responsibility that I take very seriously.
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It can unite kids and musicians, everybody, whether they’re leftist or rightist, or radical, or Republican, because energy is energy. But in fact, it is a real political struggle – it shows people that it’s big business against the people.
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Ugly ducklings don’t turn into swans and glide off down the lake. Whether your sunglasses are on or off, you only see the world you make.
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With the new ways of getting music out, you don’t need a label if you’re a legacy artist.
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There were so many great music and political scenes going on in the late ’60s in Cambridge. The ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind.
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One of the biggest obstacles I’ve overcome in my life was thinking I didn’t deserve to be successful.
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I don’t want to discredit people’s opinions of me, but you talk about the violin or the cello or lead guitar where you have to learn tons of chords, that’s much more difficult.
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I like to think I get better with age, but maybe absence makes the heart grow fonder.
BONNIE RAITT