The generation I grew up in was the beginning of “stand up for yourself,” whether being a singer-songwriter or a feminist. In my college years, the feminist movement was really coming to fore, so we wouldn’t have put up with guys treating us less than equal.
I don’t know if I’m a heroine; I’m just somebody that can cheer the troops by singing to folks, and have receptions after the show, and tithe a dollar of every ticket sale for all kinds of different great charities and social action groups.
Distribution has really changed. You can make a record with a laptop in the morning and have it up on YouTube in the afternoon and be a star overnight.
It can unite kids and musicians, everybody, whether they’re leftist or rightist, or radical, or Republican, because energy is energy. But in fact, it is a real political struggle – it shows people that it’s big business against the people.
Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.
In my early twenties, if I wasn’t getting good enough at it, then people would not come and see me. Anybody who has lasted this long – I hope we get better with age.
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