This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
BOCAFLOJAThis is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
More Bocafloja Quotes
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It’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
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I can’t marry myself to one idea or one form of doing politics or one form of understanding politics.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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We should remember what a rapper like Tupac Shakur was doing, to a certain degree, who came from an experience of politicization very close to being a “Panther Baby”.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence.
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I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won’t come from conscious rap.
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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