European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
BOCAFLOJAI think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
More Bocafloja Quotes
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
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There are situations in which a smile, a laugh, a greeting are racist exercises.
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country.
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We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily.
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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I believe that also it should be stressed and made clear that our antagonistic position is not to say “I don’t like whites” for the simple fact of not liking white people.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
BOCAFLOJA