The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
BOCAFLOJAI believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
More Bocafloja Quotes
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won’t come from conscious rap.
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The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country.
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Power, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can’t grow further in the barrio.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
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If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn’t, doesn’t, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.
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I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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I believe the example of the Zapatistas is a very relevant historical example.
BOCAFLOJA






