It’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
BOCAFLOJASo, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
More Bocafloja Quotes
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What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won’t come from conscious rap.
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I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
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MTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
BOCAFLOJA