Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
BOCAFLOJAThe whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
More Bocafloja Quotes
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A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
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It’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
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European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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Racism operates in a lot of ways, and so I live it every day.
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I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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