Here’s a little song I wrote You might want to sing it note for note Don’t worry, be happy In every life we have some trouble But when you worry you make it double Don’t worry, be happy Don’t worry, be happy now
BOBBY MCFERRINDon’t just play the licks you know. We’re all improvising all the time – it’s good to recognize that and embrace it.
More Bobby McFerrin Quotes
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I found that if I sang a line using the consonants, vowels, shadings, and inflection we recognize as human language sounds, people responded as if I were talking to them.
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Remembering that life can be full of surprises is useful in any part of your life.
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One song may be Bach, the next blues, a song from TV, or a nursery rhyme or jazz piece.
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Then I came up with this crazy idea just to walk out on the stage with no band at all and just start singing whatever came to mind.
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Part of our responsibility as parents, as adults, is to set examples for children. But we have to like children in order to be really happy fulfilled adults
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You keep going forward, fearful or not, living from moment to moment. That’s how life is.
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If I sing “you broke my heart, you left me flat,” everyone knows exactly what that means – they know the story. But if I sing a line that’s plaintive or wailing, people can experience their own set of emotions and their own story.
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Music is still part of my spiritual life. Sometimes I sing my prayers. When I get audiences singing, I hope I’m helping them feel connected to something beyond themselves.
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The voice gets to the soul of a person more than any other instrument. Because it’s the voice. It sings talks, it cries, it laughs, it squeals, it barks, it shouts it whispers, There is no other instrument that can do that. We’re born with it.
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I couldn’t do anything without faith. I couldn’t open up my eyes, I couldn’t walk, I couldn’t speak, I couldn’t sing.
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I actually fought the idea for a while because it seemed almost too radical, but it became obvious what I was supposed to be doing.
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Don’t just play the licks you know. We’re all improvising all the time – it’s good to recognize that and embrace it.
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I use the audience as my color palette, my instrument.
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This is what I want everyone to experience at the end of my concert… everyone has this sense of rejoicing. I don’t want them to be blown away by what I do,
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When we listen to improvisational jazz, or solo classical violinists, the way they phrase and inflect melodies feels vocal, like they’re talking to us.
BOBBY MCFERRIN