I want to write a book of poetry, as well as children’s stories.
BOBBY MCFERRINMiles Davis turned his back to the audience when he came out on stage, and he offended people. But, he wasn’t there to entertain; he was all about the music. I kind of do that.
More Bobby McFerrin Quotes
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When I was figuring out how to perform solo, I wanted to move back and forth between bass riffs, melody, and harmony, so I often used sounds instead of — or alongside — the words of a song.
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Each of us might give that phrase a different meaning. It’s open to interpretation, and one song becomes a thousand songs. I love that.
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Musicians are the architects of heaven.
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I use the audience as my color palette, my instrument.
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Here’s a little song I wrote You might want to sing it note for note Don’t worry, be happy In every life we have some trouble But when you worry you make it double Don’t worry, be happy Don’t worry, be happy now
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I’d actually been making my living as an organist with bands since I was probably 15 or 16 years old, and then as a senior in high school I put together a jazz quintet called The Bobby Mack Jazz Quintet.
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Part of our responsibility as parents, as adults, is to set examples for children. But we have to like children in order to be really happy fulfilled adults
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Here’s a little song I wrote. You might want to sing it note for note. Don’t worry, be happy.
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The true musician is to bring light into people’s hearts.
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Music is still part of my spiritual life. Sometimes I sing my prayers. When I get audiences singing, I hope I’m helping them feel connected to something beyond themselves.
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You can try a new way of singing a song you’ve performed for years, a new way of showing your family your love for them, or a new recipe.
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The audience is like my instrument. It’s not just me up there, it’s collaborative.
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I found that if I sang a line using the consonants, vowels, shadings, and inflection we recognize as human language sounds, people responded as if I were talking to them.
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I want them to have this sense of real, real joy from the depths of their being. Because I think when you take them to that place, then you open up a place where grace can come in.
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When we listen to improvisational jazz, or solo classical violinists, the way they phrase and inflect melodies feels vocal, like they’re talking to us.
BOBBY MCFERRIN