You get to use everything you learned in movie business. You talk to actors, if you do it right – and I haven’t always done it right – you should be shaping the material all the time.
You’re not just a part of the team. You’re really in charge, and the responsibility falls on you if all the components aren’t there for a worthwhile film.
I pretty much read reviews and comments only looking for the negative. Literally, when I read positive comments, it’s like a zero. I think the issue is if you agree with it or not.
Comedy can be destructive, and still very, very funny. But if I can do something that is fun to watch and critical of the world but not wantonly destructive.
In the end, the thing that really stays with you is not that you were clever enough to connect a sketch to another sketch, but what really sticks with you is when you just have an incredible moment happen, or execute a really funny idea.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it’s become very corporate, the independent scene.
