I think Eleanor Roosevelt always had a most incredible comfort writing letters. I mean, she was in the habit of writing letters. And that’s where she allowed her fantasies to flourish. That’s where she allowed her emotions to really evolve.
BLANCHE WIESEN COOKI have both the personal and the political. And their relationship is about ardor. It’s about fun. And it’s also about politics.
More Blanche Wiesen Cook Quotes
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Well, the reality of her father was that he was a very diseased alcoholic, who died at the age of 34. And one always has to pause to wonder how much you have to drink to die at 34. And he was a really tragic father.
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You know, unloved, judged harshly, never up to par. And she was her father’s favorite, and her mother’s unfavorite. So her father was the man that she went to for comfort in her imaginings.
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And the correspondence between them that we have, I mean, she says, “I cannot believe you’re not going to say one word.” And she writes to Walter White, “I’ve asked FDR to say one word. Perhaps he will.” But he doesn’t. And these become very bitter disagreements.
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She was going to redeem her father’s honor. And publishing his letters, reconnecting with her childhood really fortified her to go on into the difficult White House years.
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Eleanor Roosevelt’s very helpful to a lot of children who cannot speak French, who do not write well. And Marie Souvestre is fierce. She tears up students’ papers that are not, you know, perfect.
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They’re partners in a big house where there are two separate courts, and they both know they have two separate courts. But these are courts that are allied in purpose, united in vision.
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One of the things for me, as a biographer, that is so significant is for Eleanor Roosevelt.
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One, she’s really talented, an organizational woman. She knows how to do things. She begins to compare her life to her grandmother’s life. And it’s very clear to her that being a devoted wife and a devoted mother is not enough.
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And in her [Eleanor Roosevelt] letters, she writes the most, you know, fanciful letters: when we are together, and when we are reunited, and you know,
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Eleanor Roosevelt doesn’t ever do anything that is going to hurt her husband. She tries things out on him. She gets permission to do things.
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Like traditional upper class families, there are nannies and servants, and the children, you know, come in to say good-night before they go to bed.
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And during the campaign of 1936, she writes that she and her brother would always rather be out doing things when they’re sick, rather than take to their beds.
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I think that Eleanor Roosevelt really learned about the limits of power and influence from Arthurdale. She could not make some things happen. And she particularly learned that she could not, just because she was nominally in charge.
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I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline – and home at certain hours and out at certain hours and reading at certain hours,
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Women who love women, who choose women to nurture and support and to create a living environment in which to work creatively and independently, are lesbians.
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Politics is not an isolated, individualist adventure. Women really need to emerge as a power to be the countervailing power to the men.
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I think Eleanor Roosevelt’s so popular at Allenswood because it’s the first time she is, number one, free. But it’s the first time somebody really recognizes her own leadership abilities and her own scholarly abilities.
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Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt’s talents and encouraged her talents.
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There’s very little private time with the children in the early years. Actually, there’s much more private time with the children in the 20s.
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So in 1924, Eleanor Roosevelt really gets a sense of what the limits of the battle and the contours of the battle are going to be. The men are contemptuous of the women, and the women really need to organize.
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She meets Esther Lape and Elizabeth Read, and becomes very involved in the women’s movement, and then in the peace movement. And ironically, the years of her greatest despair become also the years of her great liberation.
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Eleanor Roosevelt started off almost every early article she wrote, starting with, “My mother was the most beautiful woman I’d ever seen.” And I think her life was a constant and continual and lifelong contrast with her mother.
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A lot of people say that Eleanor Roosevelt wasn’t a good mother. And there are two pieces to that story. One is, when they were very young, she was not a good mother. She was an unhappy mother.
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She’s very warm about her grandmother, even though, if you look at contemporary accounts, they’re accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.
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She really is a completely different First Lady. Eleanor Roosevelt was not going to suffer and withdraw in the White House. And I think he’s a very different President. He does not want his wife to suffer and withdraw in the White House. And they really are partners.
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And there’s something about, you know, when your mother dies, this sense of abandonment. I think Eleanor Roosevelt had a lifelong fear of abandonment and sense of abandonment after her parents’ death.
BLANCHE WIESEN COOK