I work as a dancer, but I also work as a choreographer with couples that have a lot of tension between them, and as dancer and as a choreographer, being in this situation is very difficult. You see the energy doesn’t flow, and it’s very tense.
It is necessary for my personal growth as a person to grow as an artist, I go basically every week to three or four things. But it’s real life that inspires me – when I meet somebody, when I see something.
I am always looking for inspiration. I always live in big cities where I can go every day to a museum, see a lecture, meet people that are artists, go to the cinema. For me, it’s like food.
We dance with women in groups, but it is very rare that you have a partner that is a woman. The dance world is very macho – woman, boy, always couples, and it’s very standardized.
I love costumes in dance, I think it’s very important. The clothes for dancing not only make you feel like somebody else, but it makes you move in a different way.
I work as a dancer, but I also work as a choreographer with couples that have a lot of tension between them, and as dancer and as a choreographer, being in this situation is very difficult. You see the energy doesn’t flow, and it’s very tense.
With dancers, we are all the time dancing with somebody else. It happens often that you meet a new dancer or you have a new partner. But what is true is that sometimes, when you dance with some people, there is not the right feeling.
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