Everyone thinks I’m a wimp and even my own band hates me. Oh, well. I guess I’ll just flip ’em the bird!
BLACK FRANCISMy most cryptic, strange songs might be my most personal, but that isn’t how people are going to receive them, because they don’t know the code.
More Black Francis Quotes
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That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
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It’s sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That’s the level where I want to go.
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I don’t want to be flaky. I don’t want to be some temperamental, hard-to-work-with musician.
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I think everybody has a painter inside of them somewhere.
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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
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I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
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I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.
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I listen to Neil Young and jazz and classical stations and, if my girlfriend’s driving, it tends to be Hall & Oates.
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If you’re a good band then the filter of the band is pretty strong.
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When you look at something that’s really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
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I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
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