It’s important at that age to set up something, and then maybe afterwards you can go study your violin for 500 hours a week. But at least in the beginning you know about the options.
Everything is so designed and airbrushed and Botoxed, it makes us think, ‘Oh, everybody’s perfect except me. Everything’s smooth except me.’ But nothing is smooth.
We’re always mourning things that have died. It’s a bit much sometimes. These studios have no fresh air, and there’s this unwritten rule that they don’t have windows, either.
