Every time there’s a new format, the iron is hot, and you can mold it.
BJORKI’ve always had as many powerful, creative ladies in my life as I have men, and you could probably describe some of those relationships as romantic.
More Bjork Quotes
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There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
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Emotions weren’t created to just lie around. You should experience things to the full. I’ve got a sense of the clock ticking.
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I just feel like making things solar-powered and wind-powered should be as easy as using an iPad.
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People ask me questions like, “Oh, you look so theatrical in your photographs. Is that what you’re like when you walk down the street?” It’s like, “Of course not.” It’s such a silly question – it’s like being theatrical is a crime.
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It’s a sign that you have a good work relationship if you don’t have to analyze. That’s usually a good sign within creative work.
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I don’t really have an ego. I’m not that bothered.
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As a singer-songwriter, what I do is write about how the human feels.
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I’m a fountain of blood in the shape of a girl . . . leave me now return tonight tide will show you the way if you forget my name you will go astray like a killer whale trapped in a bay
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Sometimes, when I have a lot of ideas and I want to do a lot of things, or when I’m traveling,
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I’ve always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
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I’m not going to talk like I know about politics, because I’m a total amateur, but maybe I can be a spokesperson for people who aren’t normally interested in politics.
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You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could’ve done that in the 90s, I would have.
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It’s important at that age to set up something, and then maybe afterwards you can go study your violin for 500 hours a week. But at least in the beginning you know about the options.
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i’m back at my cliff still throwing things off i listen to the sounds they make on their way down i follow him with my eyes ’till they crash imagine what my body would sound like slamming against those rocks.
BJORK