Nature is our chapel.
BJORKIt seems that most the world is driven by the eye, right? They design cities to look great but they always sound horrible …
More Bjork Quotes
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Kids draw masterpieces – they’re the best painters ever. I think the same with music. They could totally write amazing music if they just had the right tools.
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Most people’s eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they’ll understand the music.
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There’s something about the rhythm of walking, how, after about an hour and a half, the mind and body can’t help getting in sync.
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I have always had a certain song in my head, a certain chemistry of sounds.
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It takes a long time to fully become who you are.
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I’ve never done an album like this. With Biophilia, I was being like Kofi Annan – I had to be the pacifist to try to unite the impossible.
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I have written most of my melodies walking and I feel it is definitely one of the most helpful ways of sewing all of the different things in your life together and seeing the whole picture.
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But I’m not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I’m interested in is emotions.
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I definitely can feel the third or fourth feminist wave in the air, so maybe this is a good time to open that Pandora’s box a little bit and air it out.
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I’ve always had as many powerful, creative ladies in my life as I have men, and you could probably describe some of those relationships as romantic.
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When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
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I don’t like records that are the same from beginning to end, that are too styled and slick.
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It’s incredible how nature sets females up to take care of people, and yet it is tricky for them to take care of themselves.
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It’s nice and quiet but soon again starts another big riot!
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In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
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