Seventy per cent humidity is ideal for vocal cords.
BJORKIf I had a philosophy, it’s that I support the beautiful side of anarchy.
More Bjork Quotes
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As a singer-songwriter, what I do is write about how the human feels.
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Formats are just illusions, and it’s about the relationship between the person that makes music and the person that listens to music.
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I get highs, to be totally honest, in second-hand shops. My hunting instinct, I expect, really kicks in.
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There are certain emotions in your body that not even your best friend can sympathize with, but you will find the right film or the right book, and it will understand you.
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You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could’ve done that in the 90s, I would have.
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There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.
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In school, I guess I was a difficult, know-it-all type of student… I was always complaining that music education was too academic.
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There’s definitely, definitely, definitely, no logic to human behaviour . . . There’s no map And a compass Wouldn’t help at all
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I’ve written arrangements for choirs and strings in the past, but I usually write music with my voice or a keyboard and then I’ll get someone who is good at writing scores to write it out. Or, if I have the luxury of time.
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Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.
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Usually when you see females in movies, they feel like they have these metallic structures around them, they are caged in by male energy.
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I definitely can feel the third or fourth feminist wave in the air, so maybe this is a good time to open that Pandora’s box a little bit and air it out.
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I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough.
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I think every year brings unknowns that you have to deal with and handle, confront and embrace.
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
BJORK