I learned what a lot of women have to do is make the guys in the room think it was their idea, and then you back them up.
BJORKI try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it’s good enough. I let my subconscious do the editing for me.
More Bjork Quotes
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A lot of it is really bad sound, really low quality. So the librarian in me wants it at least to exist there so that in 20 years when I’m sitting in my rocking chair, it will still exist in the best sound quality possible, even though it only sold 1000 units or whatever.
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There are certain emotions in your body that not even your best friend can sympathize with, but you will find the right film or the right book, and it will understand you.
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I think after Iceland’s independence in 1944, we were not very sure of ourselves and our confidence was really low. It took one generation to sort of get over that. I’m second generation.
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National Geographic contacted me about getting on their label, and I was like, ‘Wow, I want to be label mates with the sharks and lemurs!’
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Sometimes, when I have a lot of ideas and I want to do a lot of things, or when I’m traveling,
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Singing is like a celebration of oxygen.
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If you can make nature and technology friends, then you can make everyone friends; you can make everyone intact. That’s what women do a lot – they’re the glue between a lot of things.
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There’s definitely, definitely, definitely, no logic to human behaviour . . . There’s no map And a compass Wouldn’t help at all
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You’re a coward if you don’t stand up. Not for you, but for women. Say something.
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Pedaling through the dark currents, I find an accurate copy. A blue print of the pleasure in me.
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I have always had a certain song in my head, a certain chemistry of sounds.
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Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.
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There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
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I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough.
BJORK