But the throat just kind of falls into line once you realize in your head what it is. You got to remember the musicality of a character you’re going to do.
I did speak out about celebrities because I thought it was appalling. I thought that if the cartoon became popular, it was only going to last as long as the career of the people who are in it.
Everybody. Somebody would just stick their head in the door and say, “He sounds too Jewish.” Or, “He’s too tough, he’s off-putting. You gotta seduce kids, not scare them out the door.”
To me, it all comes down to things being character-driven. It’s hard for me to look beyond that. CG and all this cool stuff – so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
John Kricfalusi is very talented; he used to really piss me off. But I did good work, you know? The Ren & Stimpy show without me was totally unsuccessful.
