No one here likes a wet dog.
BILLY COLLINSI think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
More Billy Collins Quotes
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The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
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The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.
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It’s a good thing to get poetry off the shelves and more into public life.
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I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.
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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
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I think my poems are slightly underrated by the word accessible.
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I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
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When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.
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Particularly when I thought of myself as a Wallace Stevens acolyte, I wrote very difficult poetry and I was really guilty of not knowing what I was talking about. I was going for a kind of clever verbal effect. I was trying to sound linguistically or verbally interesting.
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I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
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I was able to read poets that were – allowed me to be humorous without being silly.
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All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
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I want them to waterski across the surface of a poem waving at the author’s name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
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Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
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So many names, there is barely room on the walls of the heart.
BILLY COLLINS