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I have one of these early memories where I’m in the back of my parents’ car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.

Billy Collins

I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.
BILLY COLLINS

Doors Notebook Writing
There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
BILLY COLLINS

Air Fall Insertion Open Time Writing
Humor is just an ingredient. It’s always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it’s found its way back. And it’s simply an ingredient.
BILLY COLLINS

Dropped Found Ingriidient Poetry Simply
A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
BILLY COLLINS

Firsts Motto Succeed
There’s a lot of unconscious activity that goes on I think in the composition of a poem.
BILLY COLLINS

Goes On Thinking Unconscious
Particularly when I thought of myself as a Wallace Stevens acolyte, I wrote very difficult poetry and I was really guilty of not knowing what I was talking about. I was going for a kind of clever verbal effect. I was trying to sound linguistically or verbally interesting.
BILLY COLLINS

Clever Reading Talking
The great thing about the game of poetry is that it’s always your turn – I guess that goes back to my being an only child. So once it’s under way, there is a sense of flow.
BILLY COLLINS

Child Game Great Poetry Thing Under Way
So many names, there is barely room on the walls of the heart.
BILLY COLLINS

Heart Names Wall
The really authentic thing about humor is that anyone can pretend to be serious. Anyone who’s ever had a job – in fact, we’re pretending to be serious now, more or less.
BILLY COLLINS

Anymore Facts Jobs Serious
I knew that poets seemed to be miserable.
BILLY COLLINS

Miserable Poet Seemed
This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
BILLY COLLINS

Day Every Eye Natural Things
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS

Constructed DNA First Keys Signatures Time
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree – a difficulty which really ignores the possibility of having a sensible reader.
BILLY COLLINS

Degrees Experimental Insane Kind More Often
Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
BILLY COLLINS

Aspect Chaos Form
A return to his native Nigeria plunges Cole’s charming narrator into a tempest of chaos, contradiction, and kinship in a place both endearingly familiar and unnervingly strange. The result is a tale that engages and disturbs.
BILLY COLLINS

ContrAction Familiar Kinship Result Tempest
You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
BILLY COLLINS

Embellishment Style Voice Writing

I have one of these early memories where I’m in the back of my parents’ car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.

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I have one of these early memories where I’m in the back of my parents’ car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.

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Popular Authors

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