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One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.

Billy Collins

While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
BILLY COLLINS

Novelists Poet Typewriters
I want them to waterski across the surface of a poem waving at the author’s name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
BILLY COLLINS

Across Ant Confession Poem Shore Waving
In the process of simplifying oneself, one often discovers the thing called voice.
BILLY COLLINS

Oneself Process Voice
I was able to read poets that were – allowed me to be humorous without being silly.
BILLY COLLINS

Able Humorous Silly
My poems could easily evaporate. So I don’t know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.
BILLY COLLINS

Poem Posterity Something Thinking Walk
I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.
BILLY COLLINS

Himself Interrupt Other Reader Utterance
I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.
BILLY COLLINS

Fun Thinking Writing
High School is the place where poetry goes to die.
BILLY COLLINS

Dies High School
I have one of these early memories where I’m in the back of my parents’ car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.
BILLY COLLINS

Child Early Memories Parents Time Venomous
I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
BILLY COLLINS

Clarity Comprehensive Exposed Real Risk Thinking
Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can’t go home again; but that doesn’t mean you’re not free to try.
BILLY COLLINS

Day Every Home Mean Trying
I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
BILLY COLLINS

Form Pleasure Read Thinking
I could look at you forever and never see the two of us together
BILLY COLLINS

Forever Together Two
I’m very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader’s attention back into the interior of the poem.
BILLY COLLINS

Attention Conscious Poem Progress
This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
BILLY COLLINS

Day Every Eye Natural Things
The mind can be trained to relieve itself on paper.
BILLY COLLINS

Mind Paper Relieve Trained

One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.

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One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.

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