There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
BILLY COLLINSAnother trouble with poetry – and I’m gonna stop the list at two – is the presence of presumptuousness in poetry.
More Billy Collins Quotes
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It’s a good thing to get poetry off the shelves and more into public life.
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I hope the poem, as it goes on, gets more complicated, a little more demanding, a little more ambiguous or speculative, so that we’re drifting away from the casual beginning of the poem into something a little more serious.
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I could look at you forever and never see the two of us together
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This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
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And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack.
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No one here likes a wet dog.
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The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
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I see woefully obscure poetry as simply a kind of verbal rudeness.
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The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.
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I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.
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I find it strange that – at least in my take on it – the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway.
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It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine.
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A return to his native Nigeria plunges Cole’s charming narrator into a tempest of chaos, contradiction, and kinship in a place both endearingly familiar and unnervingly strange. The result is a tale that engages and disturbs.
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Humor, for me, is really a gate of departure. Its a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end.
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As soon as I start to write I’m very aware, I’m trying to be aware that a reader just might well pick up this poem, a stranger. So when I’m writing – and I think that this is important for all writers – I’m trying to be a writer and a reader back and forth.
BILLY COLLINS