You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
BILLY COLLINSForm is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
More Billy Collins Quotes
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Bugs Bunny is my muse.
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When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
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I knew that poets seemed to be miserable.
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I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
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I see woefully obscure poetry as simply a kind of verbal rudeness.
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While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
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The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’
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I’m a line-maker. I think that’s what makes poets different from prose-writers. That’s the main way. We think, not just in sentences the way prose writers do but also in lines. So we’re doing these two things at the same time.
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It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine.
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But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
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Humor is just an ingredient. It’s always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it’s found its way back. And it’s simply an ingredient.
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You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
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Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
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I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
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The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS






