But my heart is always propped up in a field on its tripod, ready for the next arrow.
BILLY COLLINSI see woefully obscure poetry as simply a kind of verbal rudeness.
More Billy Collins Quotes
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Bugs Bunny is my muse.
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There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
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I hope the poem, as it goes on, gets more complicated, a little more demanding, a little more ambiguous or speculative, so that we’re drifting away from the casual beginning of the poem into something a little more serious.
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I was an only child, a very late child, born to parents who were both 39 at the time, which was very late back then. That kind of confirmed my sense of being the center of the universe, which I guess every child feels – children and poets both tend to feel.
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This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
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Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
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I knew that poets seemed to be miserable.
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When I began to dare to be clear, because I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
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Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem’s room and feel the walls for a light switch.
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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
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Now I would say at any given moment in American life, there are probably 45 poets in airplanes vectoring across the country heading towards…
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I find it strange that – at least in my take on it – the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway.
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I think my poems are slightly underrated by the word accessible.
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Listeners are kind of ambushed… if a poem just happens to be said when they’re listening to the radio. The listener doesn’t have time to deploy what I call their ‘poetry deflector shields’ that were installed in high school – there’s little time to resist the poem.
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I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.
BILLY COLLINS