I would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLASince the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
More Bill Viola Quotes
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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There is an invisible world out there, and we are living in it.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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Live your Art. Don’t think about it.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
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I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
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I like to keep the meanings in my work flowing and open.
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For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
BILL VIOLA