I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLAEmotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
More Bill Viola Quotes
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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There is an invisible world out there, and we are living in it.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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I like to keep the meanings in my work flowing and open.
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
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Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
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Live your Art. Don’t think about it.
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It only takes a second for an impression to become a vision.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
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We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA