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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.

Bill Viola

Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
BILL VIOLA

Creative Devotion Express Guy Pyramids
The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
BILL VIOLA

Brain Earth Honestly Thinking
Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
BILL VIOLA

Fast Paced Soul World
I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA

Able Cameras Paris
We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA

Call Death Metaphor Moment Ourselves
My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLA

Fragment might Simple Writing
Revolution is something that actually starts in individual hearts.
BILL VIOLA

Heart Individual Revolution
Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
BILL VIOLA

Embody Everything Experience Memories Microsm Retina
When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLA

Art Hope Reflection Something Space
Live your Art. Don’t think about it.
BILL VIOLA

Art Live Thinking
Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
BILL VIOLA

Intellectual Keys Thinking
You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
BILL VIOLA

Art Experts Feelings
I like to keep the meanings in my work flowing and open.
BILL VIOLA

Flowing Keep Meaning Open
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLA

Age Artist Coming Panasonic Video Year
A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
BILL VIOLA

Art Being Just Together
In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
BILL VIOLA

Art Change Students Thinking

Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.

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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.

Related Topics

Popular Authors

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