“I’m really inspired by the interplay of visual art and music, a total artistic environment where there’s sound and visuals.”

What a great day for football, all we need is some green grass and a ball.

If you can’t support us when we lose or draw, don’t support us when we win

I’ve had many skilful men and the likes of Peter Thompson, Ian St John, Kevin Keegan and Steve Heighway were the ones who caught the eye. But the best professional of the lot was Gerry Byrne.

I never drop a player I only make changes.

I’ve been a slave to football. It follows you home, it follows you everywhere, and eats into your family life. But every working man misses out on some things because of his job.

Just go out and drop a few hand grenades all over the place, son. (to Kevin Keegan)

The problem with you, son, is that all your brains are in your head. (to a Liverpool trainee)

He wasn’t flashy and he wouldn’t score you goals. But he was hard and skilful and gave you everything he had. More than that he was totally honest.

Football (soccer) is a matter of life and death, except more important.

I have been received more warmly by Everton than I have by Liverpool. It is scandalous that I should have to write these things about the club that I helped build into what it is today.

I don’t drop players. I make changes.

It’s to remind our lads who they’re playing for, and to remind the opposition who they’re playing against. (on the ‘This Anfield’ plaque)

I wanted Liverpool to be untouchable. My idea was to build Liverpool up and up until eventually everyone would have to submit and give in.

If you are first you are first. If you are second, you are nothing.

If a man….who’s playing in front of the public, is being well paid, and he doesn’t dedicate himself to the job, I’d be hard on him. If I could I would put him in jail, out of the road of society. Because he’s a menace

Football is a simple game based on the giving and taking of passes, of controlling the ball and of making yourself available to receive a pass. It is terribly simple.

I’ve often gotten the feeling that the only people who have learned from computer assisted instruction are the authors.

It really is a pleasure to work with someone who you admire. Whatever you do in front of the camera, and I don’t know what it is, but actors have this thing that you recognize someone that makes you better. When you do that, it’s a great feeling.

My feeling is that Darwinism is only at best a partial solution, and an extremely dangerous partial solution.

Most people who work with me can tell you I’m a bit of a pessimist about business stuff. Not because I don’t believe in what I’m doing, I just don’t like feeling presumptuous. Like, ‘This is what’s going to happen!’ Honestly, I don’t know what will happen.

Our band is very polarizing. There are people who absolutely can’t stand us, and people who absolutely can’t live without us. I’d rather spark those kind of polar-opposite feelings than have people be indifferent.

There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.

I really feel there’s no limitation on what this band can do in the studio or on the stage. That’s an empowering feeling – that we can bring a song to life.

It’s a very frustrated feeling you get when the only people with good photos of you work are the police department.