If I ruled the world, every woman would have a Chanel suit in her wardrobe.
BILL NIGHYI love imaginative representations of a possible near-future, where you look at the technology and you think, “Well, yeah, that could really nearly be true.” I like those kinds of backgrounds.
More Bill Nighy Quotes
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A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.
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With stage, you feel completely like you’re just in a bubble. I love not being able to see anything. I love coming out and I can’t see anything because the lights are so bright and it’s pitch black. That’s ideal for me, that’s when I have the best time.
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I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.
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I’ve always slightly worried the kids who play football around my house. They know I’m an actor, but felt sorry for me because they’d never seen anything I’ve done.
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My dad had a personal style which was very attractive. It was quite reserved and quite elegant, and it was infectious.
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There are only three men in the world who are licensed to wear shorts: Brad Pitt, Johnny Depp and Tom Cruise.
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I wanted to be a journalist, I thought it was glamorous and that I’d meet beautiful women in the rain.
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I have a perfectly average skewed perception of myself. We often don’t know what we’re like.
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When you are in something that you’re proud of and it’s funny and it’s a good night out and all of those things, there’s nothing quite like it. The rewards are proportionate to the amount of alarm and distress it causes you.
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As you get older you feel you need to pay more attention to what is around you and relish it. I’m greedy for beauty.
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I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can’t tell you any line from any play I’ve ever done.
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I’m not famous for my back story investigations; I’m lucky that I work with good writers and it’s usually in the script.
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When a movie is called ‘searingly honest,’ it’s almost invariably grim and demonstrates how bad things can get.
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Actors always talk about taking their work home and I always think: ‘What are you on? You just turn it off. You are at work and then you go home.’
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I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously.
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