black
grey
blue
red
brown
white

When you shoot on film, you don’t know whether you’ve got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it’s a landscape or a person in a so-called controlled environment in a chair in a studio in front of you.

Bill Henson

On practical level I can’t pick up the camera until I think I know what I want. I don’t wander around. It’s almost impossible for me to pick up a camera… it’s really hard.
BILL HENSON

Cameras Level Thinking
There are no inherent limitations to the medium. There are just differences.
BILL HENSON

Differences Inherent Mediums
I didn’t have any witticisms to land on suburbia. I was really just interested in how beautiful it was. I felt it was like a dreamscape and once I understood that was how I needed to approach it the dream started to expand in unusual ways.
BILL HENSON

Approach Beautiful Needed Understood
It just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums.
BILL HENSON

Contradictory Made Photography
What happens with experiences that really move us deeply, that really effect us? They make the world new again. What it does is it heightens our sense of mortality.
BILL HENSON

Happened Moving World
When you shoot on film, you don’t know whether you’ve got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it’s a landscape or a person in a so-called controlled environment in a chair in a studio in front of you.
BILL HENSON

Environment Film Landscape
As a boy I was obsessed with Egypt and Egyptology. I’m convinced it’s not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It’s a bit like young girls and horses.
BILL HENSON

Boys Girl Horse
It was the dreamscape of the suburbs that interested me.
BILL HENSON

Dreamscape Interested Suburbs
No medium is more limited than any other. It’s what a person does with it. We could talk about the differences between music and literature and photography, sure, but it really comes down to what a person does.
BILL HENSON

Differences Doe Photography
I have always found the suburbs very beautiful – the light, the change of seasons and so on. I am not so interested in the political dimensions of these things.
BILL HENSON

Beautiful Dream Light
In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph.
BILL HENSON

Art Experience Painting Want
There’s something about the processional nature of the architecture, of the rooms connecting rooms. It’s just breathtaking.
BILL HENSON

Architecture Breathtaking Rooms
I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going “It’s me! I’m the one you want! I am the necessary subject. This is it!”
BILL HENSON

Reading Standing Down Want
Most of life is grey, with a little tiny bit of black and white.
BILL HENSON

Black Little Tiny White
Adolescence is interesting. I mean, all of life is interesting and all of life is transitionary. But I think there is an exponential growth physically, intellectually, emotionally and there is so much potential.
BILL HENSON

Interesting Mean Physically Thinking
I was always amazed at how beautiful the light was. At different times of the day the landscape becomes a different place. Dawn and dusk, it’s a different place.
BILL HENSON

Beautiful Dawn Landscape Light

When you shoot on film, you don’t know whether you’ve got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it’s a landscape or a person in a so-called controlled environment in a chair in a studio in front of you.

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When you shoot on film, you don’t know whether you’ve got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it’s a landscape or a person in a so-called controlled environment in a chair in a studio in front of you.

Related Topics

Popular Authors

More Bill Henson Quotes