I went to an art school in Brooklyn and painted Fine Art, if thats what youd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
BILL GRIFFITHI guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.
More Bill Griffith Quotes
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The down side of Americans being obsessed with pop culture is that they kind of like it light.
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Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.
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A full, rich drawing style is a drawback.
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Going too far is half the pleasure of not getting anywhere.
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All life is a blur of Republicans and meat.
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I had a mixture, my father was a career army man and my mother was a writer.
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What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.
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My first character was Mr. Toad.
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I had a very diametrically opposite set of parents.
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Yes, but personally I was never a big acid head.
BILL GRIFFITH -
Everyone says how Calvin and Hobbes is about a real kid, to me there’s nothing real about it; it’s an adult using a kid’s body as a mouthpiece.
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If something is going on in my life, it winds up getting into my strip.
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I always thought of Levittown as a joke.
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Comics is a language. It’s a language most people understand intuitively.
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When I was an art student in the early 60′s before the acid scene began I was smoking pot just like anyone else who was an artist.
BILL GRIFFITH