Going too far is half the pleasure of not getting anywhere.

BILL GRIFFITH

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Going too far is half the pleasure of not getting anywhere.

Bill Griffith

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Half

What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.
BILL GRIFFITH

Over You
Vegetarianism can easily reach religious proportions. Refraining from meat on moral grounds serves to dignify feelings of guilt toward sad-eyed, furry creatures and substitutes righteousness for squeamishness.

BILL GRIFFITH

Vegetarianism can easily reach religious proportions. Refraining from meat on moral grounds serves to dignify feelings of guilt toward sad-eyed, furry creatures and substitutes righteousness for squeamishness.
BILL GRIFFITH

Religious Vegetarianism
Comics is a language. It’s a language most people understand intuitively.
BILL GRIFFITH

Comics Language
I always thought of Levittown as a joke.
BILL GRIFFITH

Jokes
The down side of Americans being obsessed with pop culture is that they kind of like it light.
BILL GRIFFITH

Culture Sides
Looking back Little Lulu was an early feminist, but at the time I just thought she was a really feisty developed comic strip character.
BILL GRIFFITH

Alaska Feminist
When I was an art student in the early 60′s before the acid scene began I was smoking pot just like anyone else who was an artist.
BILL GRIFFITH

Marijuana Smoking
If something is going on in my life, it winds up getting into my strip.

BILL GRIFFITH

If something is going on in my life, it winds up getting into my strip.
BILL GRIFFITH

Something
A full, rich drawing style is a drawback.

BILL GRIFFITH

A full, rich drawing style is a drawback.
BILL GRIFFITH

Drawing
Yes, but personally I was never a big acid head.
BILL GRIFFITH

Acid Bigs
All life is a blur of Republicans and meat.

BILL GRIFFITH

All life is a blur of Republicans and meat.
BILL GRIFFITH

Meat Republican
My first character was Mr. Toad.
BILL GRIFFITH

Firsts Toads
Everyone says how Calvin and Hobbes is about a real kid, to me there’s nothing real about it; it’s an adult using a kid’s body as a mouthpiece.
BILL GRIFFITH

Everyone Kids Real Say
I went to an art school in Brooklyn and painted Fine Art, if thats what youd call it for eight years in New York, until I saw the first underground comics in the East Village Other.

BILL GRIFFITH

I went to an art school in Brooklyn and painted Fine Art, if thats what youd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
BILL GRIFFITH

Went
Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.

BILL GRIFFITH

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.
BILL GRIFFITH
Frivolity is a stern taskmaster.
BILL GRIFFITH

Frivolity Stern Taskmaster

Going too far is half the pleasure of not getting anywhere.

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