When it comes to two of the big social earthquakes in the last fifty years – which are the gay movement and the women’s movement – I think there is a direct line from Kinsey to those.
BILL CONDONIt’s an odd thing to go to New York to shoot a movie that is set in Indiana.
More Bill Condon Quotes
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In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.
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Sometimes words just don’t get you there… don’t let you say all the stuff from deep in your heart, stuff that no dictionary has a name for.
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I do think that’s so much a part of what being a director is – in working with actors – to really try and be sensitive to what each actor needs to get to where he wants to be.
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It’s an odd thing to go to New York to shoot a movie that is set in Indiana.
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You know he comes out of stand-up. He comes – it’s all about capturing the moment – in the moment, you know.
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For me, someone like the Eddie Murphy character doesn’t live anywhere; he lives on a stage and when he’s not on the stage he’s on a bus getting to the next stage.
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That day I think we really saw each other for the first time. I mean, saw beyond the bag of bones on the outside. You take away her pretty and my plain and what you get underneath is about the same: a couple of lost girls looking to be found.
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Kinsey kick started a lot in shocking people with how much homosexual activity there is.
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There were moments on the set when the depth of the cast of ‘Dreamgirls’ was almost overwhelming to me.
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I think that finding a way into somebody’s life that’s sort of off from a side angle can tell you more about that person than a greatest hits approach.
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A scientist is an unlikely character to put at the center of a movie.
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I think it would be fun to write about movies again.
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Kinsey was six foot five, and he had this leader of men quality.
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From its inception by Michael Bennett, ‘Dreamgirls’ has always been an epic story with an ensemble cast. I didn’t change that. The screen version remains, really, a group story.
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I had a couple of movies that I was passionately involved with that I could never get made. ‘Richard Pryor,’ I wrote for – gosh – over a year. That was close to getting made for two-and-a-half years after that.
BILL CONDON