You’ve got friends and family. That’s how we get by. We talk and share and eat cake and giggle in the dark, even when we’re scared – no, especially when we’re scared.
BILL CONDONMy idea of a beach holiday is going to New York for two weeks, just going and hanging out.
More Bill Condon Quotes
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I wanted to make connections between Whale’s past and present.
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There’s nothing quite as good as folding up into a book and shutting the world outside.If I pick the right one I can be beautiful, or fall in love, or live happily ever after. Maybe even all three.
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There were moments on the set when the depth of the cast of ‘Dreamgirls’ was almost overwhelming to me.
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You don’t really want to see him at home, or all those things you can do in the movie.
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It’s in the nature of television to restrain the spontaneity of a live event. Things become more and more prepackaged.
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It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.
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Sometimes words just don’t get you there… don’t let you say all the stuff from deep in your heart, stuff that no dictionary has a name for.
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My idea of a beach holiday is going to New York for two weeks, just going and hanging out.
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I think that finding a way into somebody’s life that’s sort of off from a side angle can tell you more about that person than a greatest hits approach.
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I had a couple of movies that I was passionately involved with that I could never get made. ‘Richard Pryor,’ I wrote for – gosh – over a year. That was close to getting made for two-and-a-half years after that.
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But you really – I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal.
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So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It’s a melodrama.
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That day I think we really saw each other for the first time. I mean, saw beyond the bag of bones on the outside. You take away her pretty and my plain and what you get underneath is about the same: a couple of lost girls looking to be found.
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When it comes to two of the big social earthquakes in the last fifty years – which are the gay movement and the women’s movement – I think there is a direct line from Kinsey to those.
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For me, someone like the Eddie Murphy character doesn’t live anywhere; he lives on a stage and when he’s not on the stage he’s on a bus getting to the next stage.
BILL CONDON