There were moments on the set when the depth of the cast of ‘Dreamgirls’ was almost overwhelming to me.
BILL CONDONThere were moments on the set when the depth of the cast of ‘Dreamgirls’ was almost overwhelming to me.
More Bill Condon Quotes
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It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.
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A scientist is an unlikely character to put at the center of a movie.
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It’s in the nature of television to restrain the spontaneity of a live event. Things become more and more prepackaged.
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We knew that there was a certain kind of interest in Whale among a genre crowd.
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That day I think we really saw each other for the first time. I mean, saw beyond the bag of bones on the outside. You take away her pretty and my plain and what you get underneath is about the same: a couple of lost girls looking to be found.
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There’s nothing quite as good as folding up into a book and shutting the world outside.If I pick the right one I can be beautiful, or fall in love, or live happily ever after. Maybe even all three.
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We’re still pushing it, you know. It is weird. Suddenly you wake up and it’s like, ‘God, five years have gone by.
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You’ve got friends and family. That’s how we get by. We talk and share and eat cake and giggle in the dark, even when we’re scared – no, especially when we’re scared.
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I do think that’s so much a part of what being a director is – in working with actors – to really try and be sensitive to what each actor needs to get to where he wants to be.
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From its inception by Michael Bennett, ‘Dreamgirls’ has always been an epic story with an ensemble cast. I didn’t change that. The screen version remains, really, a group story.
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Sometimes words just don’t get you there… don’t let you say all the stuff from deep in your heart, stuff that no dictionary has a name for.
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In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.
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Our relationships, relationships between adults, how all those pieces fit together – that’s the most complicated thing we all face.
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But you really – I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal.
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Problems emerge and some people try to sweep them under the rug.
BILL CONDON