At the end of the whole day of working with people you want some privacy.
BILL BRUFORDAt the end of the whole day of working with people you want some privacy.
BILL BRUFORDWe used to drink an awful lot of alcohol.
BILL BRUFORDYou learn so much about music from all the people you surround yourself with – good, bad and indifferent. It’s extremely hard to be specific.
BILL BRUFORDA rock band used to be four guys and a drummer. Now it’s five guys sitting around reading manuals!
BILL BRUFORDAnd we’d drink huge amounts of scotch and coke, which is a ghastly sweet drink… And now people don’t drink nearly as much, for good reason. We’re all a little wiser.
BILL BRUFORDSo he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that.
BILL BRUFORDIf I was hearing something I couldn’t do, I would figure out how to do it.
BILL BRUFORDI don’t really remember a whole lot of sex, drugs and rock n’ roll, really.
BILL BRUFORDI didn’t write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn’t.
BILL BRUFORDI listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.
BILL BRUFORDI practice at home, in between phone calls, and have much to do.
BILL BRUFORDClose to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
BILL BRUFORDThe best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.
BILL BRUFORDSecond edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.
BILL BRUFORDBut what I think my emphasis is, is on the fact that I like music a lot.
BILL BRUFORDI warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.
BILL BRUFORD