It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDTVery rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
More Bill Brandt Quotes
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I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
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A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
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Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
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I am not interested in rules or conventions. Photography is not a sport.
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Photography is still a very new medium and everything must be tried and dare.
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When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
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The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
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By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
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The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
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And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
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It is the gift of seeing the life around them clearly and vividly, as something that is exciting in its own right. It is an innate gift, varying in intensity with the individual’s temperament and environment.
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Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
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We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare
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I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
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Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.
BILL BRANDT