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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.

Bill Brandt

Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
BILL BRANDT

Emotions Essence Hidden Minds Most Pleasure Simple
When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
BILL BRANDT

Beauty Cameras Eye
A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
BILL BRANDT

Atmosphere Giving Photography
Photography is still a very new medium and everything must be tried and dare.
BILL BRANDT

Dare Mediums Photography
Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive.
BILL BRANDT

Approach Dignity Indeed Place Simplest Surroundings
Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDT

Details Height Patience Seen Sometimes
The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
BILL BRANDT

Children Looks World
By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
BILL BRANDT

Hurry Opportunities Photography Profession
It is the gift of seeing the life around them clearly and vividly, as something that is exciting in its own right. It is an innate gift, varying in intensity with the individual’s temperament and environment.
BILL BRANDT

Environment Individual Photographer
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
BILL BRANDT

Eye Photography Thinking
We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare
BILL BRANDT

Busy Most Obsessed Ourselves Satre Worried
But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work.
BILL BRANDT

Believe Emotional Photography
A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
BILL BRANDT

Asset Develop Leamed Photographer
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.
BILL BRANDT

Paper Photography Shade
By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
BILL BRANDT

Opportunity Photography Thinking
I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
BILL BRANDT

Interfere Liter Observed Photographer Shapes

It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.

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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.

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Popular Authors

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