Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDTSometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
More Bill Brandt Quotes
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Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
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By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
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By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
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Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
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A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
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Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
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Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.
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And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
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When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
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The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
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If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself.
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It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
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It is the gift of seeing the life around them clearly and vividly, as something that is exciting in its own right. It is an innate gift, varying in intensity with the individual’s temperament and environment.
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I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
BILL BRANDT