No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.
BILL BRANDTSometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
More Bill Brandt Quotes
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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
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By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
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It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
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The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
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Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
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And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
BILL BRANDT -
I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
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Photography is not a sport. It has no rules. Everything must be dared and tried!
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Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.
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But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work.
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Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
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Photography is still a very new medium and everything must be tried and dare.
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Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
BILL BRANDT -
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDT -
By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
BILL BRANDT