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I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.

Bill Brandt

By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
BILL BRANDT

Opportunity Photography Thinking
A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
BILL BRANDT

Atmosphere Giving Photography
I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
BILL BRANDT

Occasions Often Photography Simple Work
Photography is not a sport. It has no rules. Everything must be dared and tried!
BILL BRANDT

Everything Photography Sports Tried
The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
BILL BRANDT

Cat Light Passing Stress
The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
BILL BRANDT

Children Looks World
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.
BILL BRANDT

Paper Photography Shade
Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
BILL BRANDT

Patience Photography Waiting
Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDT

Details Height Patience Seen Sometimes
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
BILL BRANDT

Dark Light Photography
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDT

Country Jobs Photography Receptiveness
Photography is still a very new medium and everything must be tried and dare.
BILL BRANDT

Dare Mediums Photography
If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself.
BILL BRANDT

Believe Lying Photography
A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
BILL BRANDT

Asset Develop Leamed Photographer
By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
BILL BRANDT

Hurry Opportunities Photography Profession
I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
BILL BRANDT

Interfere Liter Observed Photographer Shapes

I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.

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I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.

Related Topics

Popular Authors

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