I don’t have to come up with a ha-ha belly laugh every day, but drawings with warmth and love or ones that put a lump in the throat. That’s more important to me than a laugh.
On radio and television, magazines and the movies, you can’t tell what you’re going to get. When you look at the comic page, you can usually depend on something acceptable by the entire family.
Oh simple thing, where have you gone? I’m getting old and I need something to rely on So tell me when you’re gonna let me in I’m getting tired and I need somewhere to begin
I like to feel that what I’m doing portrays this: a family where there is love between mother, father and the kids. It’s a subject that is near and dear to me.
I like to feel that what I’m doing portrays this: a family where there is love between mother, father and the kids. It’s a subject that is near and dear to me.
I don’t have to come up with a ha-ha belly laugh every day, but drawings with warmth and love or ones that put a lump in the throat. That’s more important to me than a laugh.
Oh simple thing, where have you gone? I’m getting old and I need something to rely on So tell me when you’re gonna let me in I’m getting tired and I need somewhere to begin.
When I was in high school at Northeast Catholic in Philadelphia in the late ’30s, I found that drawing caricatures of the teachers and satirizing the events in the school, then having them published in our school magazine, got me some notoriety.
