I was a very observant child. The boys in my books are based on boys in my neighborhood growing up.
BEVERLY CLEARYDidn’t the people who made those license plates care about little girls named Ramona?
More Beverly Cleary Quotes
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People are usually surprised to hear this, but I don’t really read children’s books.
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I hope children will be happy with the books I’ve written, and go on to be readers all of their lives.
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I didn’t start out writing to give children hope, but I’m glad some of them found it.
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In my grammar school years back in the 1920s I used my ten-cents-a-week allowance for Saturday matinees of Douglas Fairbanks movies. All that swashbuckling and leaping about in the midst of the sails of ships!
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I don’t necessarily start with the beginning of the book. I just start with the part of the story that’s most vivid in my imagination and work forward and backward from there.
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She was not a slowpoke grownup. She was a girl who could not wait. Life was so interesting she had to find out what happened next.
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I don’t think children’s inner feelings have changed. They still want a mother and father in the very same house; they want places to play.
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I wanted to be a ballerina. I changed my mind.
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Ramona stepped back into her closet, slid the door shut, pressed an imaginary button, and when her imaginary elevator had made its imaginary descent, stepped out onto the real first floor and raced a real problem. Her mother and father were leaving for Parents’ Night.
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If she can’t spell, why is she a librarian? Librarians should know how to spell.
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When I was in the first grade I was afraid of the teacher and had a miserable time in the reading circle, a difficulty that was overcome by the loving patience of my second grade teacher. Even though I could read, I refused to do so.
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With twins, reading aloud to them was the only chance I could get to sit down. I read them picture books until they were reading on their own.
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I feel sometimes that in children’s books there are more and more grim problems, but I don’t know that I want to burden third- and fourth-graders with them.
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The key to writing successful YA is to keep the adults out of the story as much as possible.
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All knowledge is valuable to a librarian.
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