My dad got me a chemistry book one Christmas and I burnt the garden shed down. I remember there was the most beautiful smell forever after in the remains.
BETH ORTONTherapy is like telling your nightmares when you’re a kid; they lose their power to hurt and control.
More Beth Orton Quotes
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Norfolk is not on the way to anywhere, you don’t stop off on the way somewhere else – it’s an end in itself. You have to want to go there; it’s an effort.
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One time I completely thought I’d turned into a werewolf and was sure I could see hairs sprouting from my face. At those times I’d suddenly go very quiet and not talk to anyone, stunned from the developments, being a werewolf and all.
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I was born on a pig farm in Norfolk. We grew up in the city called Norwich in Norfolk, then I moved to London when I was thirteen.
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I’ve also been writing with my guitarist, Ted Barnes, and he’s amazing. Writing with him has taught me a lot about my own writing process, in the sense that it’s incredably personal to write with someone else from scratch.
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Even when I haven’t had money, I found money to travel. It’s a luxury that’s a kind of necessity, I think.
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When I first started writing, a friend said I should be careful because I’m letting people know how to reach right in and play with my workings. And they do!
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I have a friend who says the best boyfriends are ones with intimidating, good-looking older brothers. The boyfriends try harder because they’re so insecure. Maybe I’m the female equivalent.
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Therapy is like telling your nightmares when you’re a kid; they lose their power to hurt and control.
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Heaven is what we spend our lives trying to find.
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I get a feeling, on a guitar, and I sort of mess around until something resonates with me, and then I just find that what happens is that a melody comes, and with that, words.
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My manager said the next best inspiration to heartbreak is travel, and it’s true.
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From the beginning, I wanted to make dance music with a human element to it.
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I don’t read music; I taught myself guitar.
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We’re all like little ants who scurry around with the materials that are at hand right now. Each generation finds new materials. Its just evolution, isn’t it?
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I want it to be more universal than that – like a painter doesn’t have to explain his life story away to justify his painting.
BETH ORTON