One time I completely thought I’d turned into a werewolf and was sure I could see hairs sprouting from my face. At those times I’d suddenly go very quiet and not talk to anyone, stunned from the developments, being a werewolf and all.
BETH ORTONTherapy is like telling your nightmares when you’re a kid; they lose their power to hurt and control.
More Beth Orton Quotes
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When I was really young I used to collect frog spawn. I made a pond out of an old sink and I loved to spend hours watching the frogs grow.
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My dad got me a chemistry book one Christmas and I burnt the garden shed down. I remember there was the most beautiful smell forever after in the remains.
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I just like the child’s nightmares and therapy, once an experience has found the light of day I’m no longer under its spell, I’m free to tell it. I hope in telling honestly I can in some way help other people to do so also.
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I was born on a pig farm in Norfolk. We grew up in the city called Norwich in Norfolk, then I moved to London when I was thirteen.
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I don’t read music; I taught myself guitar.
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At about the age of ten, my friends and I discovered the joys of sitting in graveyards drinking merrydown cider and kissing and stealing our elder siblings’ records.
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When I first started writing, a friend said I should be careful because I’m letting people know how to reach right in and play with my workings. And they do!
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I want it to be more universal than that – like a painter doesn’t have to explain his life story away to justify his painting.
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I don’t believe in trouble. Because I think that trouble is sometimes good, sometimes bad. I’ve been known to be called trouble, which I think is quite a compliment. But I suppose, thinking about it, that my best and worst trouble has always had something to do with a man.
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Even when I haven’t had money, I found money to travel. It’s a luxury that’s a kind of necessity, I think.
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I didn’t jump a lot of trees because I didn’t like heights. I liked getting a mirror and walking around with it facing the sky. I’d imagine I was walking in the tops of the trees and falling into the sky, or walking up the stairs whilst going down.
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I’ve also been writing with my guitarist, Ted Barnes, and he’s amazing. Writing with him has taught me a lot about my own writing process, in the sense that it’s incredably personal to write with someone else from scratch.
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From the beginning, I wanted to make dance music with a human element to it.
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To me songwriting is more like redemption. I can extract the poison or the pollen, the essence from a situation and the rest becomes a husk that blows away.
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I’d say my greatest fear is fear itself.
BETH ORTON