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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.

Beth Henley

What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
BETH HENLEY

Class Long Thinking
I love writing for the screen.
BETH HENLEY

Love Screens Writing
The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEY

Christmas School Writing
It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
BETH HENLEY

Sister Winter Years
I’m very into the first production of the show.
BETH HENLEY

Firsts Production Show
In movement class, you had to lie on the floor and get your alignment in to pass the class.
BETH HENLEY

Class Lying Movement
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
BETH HENLEY

Money Raise Theatre
And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
BETH HENLEY

Creating Dream Writing
I just loved being divorced from my own wretchedness.
BETH HENLEY

Divorced Own Wretchedness
The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
BETH HENLEY

College Dog School
But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
BETH HENLEY

Copyright Novelists Poets
I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
BETH HENLEY

Mother Phones Talking
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
BETH HENLEY

Director People Pigs
I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
BETH HENLEY

Community Mother Play Theatre
Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEY

Play Special Thinking
There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
BETH HENLEY

Live Mind People Today

Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.

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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.

Related Topics

Popular Authors

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