The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEYSomehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
More Beth Henley Quotes
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
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That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
BETH HENLEY -
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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I love writing for the screen.
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It was kind of enlightening to become a playwright.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
BETH HENLEY -
I did write a couple of original screenplays, but I’d rather write plays.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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I’m very into the first production of the show.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEY