The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEYThat’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
More Beth Henley Quotes
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
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It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
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I just loved being divorced from my own wretchedness.
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I’m very into the first production of the show.
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It was kind of enlightening to become a playwright.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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I love writing for the screen.
BETH HENLEY