It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
BETH HENLEYPlays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
More Beth Henley Quotes
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It was kind of enlightening to become a playwright.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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I was just restless with being in school; so I went out to Los Angeles.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
BETH HENLEY -
Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEY -
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
BETH HENLEY